26 July 2011

NOLA Garden District.

Copyright © 2011 Bob R Bogle

Magnolias, Spanish moss, live oak, azaleas, camellias, cast-iron, mausolea and crypts, mansions mansions mansions:  currently polishing up a 30 page section set in the New Orleans Garden District.
To tide you over, here's a slide show.

21 July 2011

Two Anniversaries



Two important anniversaries today:  First Manassas and Ernest Hemingway's birthday.

19 July 2011

Progress Report.

Copyright © 2011 Bob R Bogle


Inking up a manuscript during editing tends to make the thing pretty hard to read.  Add to that many new inserts hand-written on lined paper and stuffed in here and there.  The manuscript becomes pretty slovenly.  I spent a few days making all the changes through Chapter 8 to the electronic version.  (Incidentally, the chapter designations of the first few drafts will all be divided up into more chapters later, but that's another story.)  The first 8 chapters, which in the first draft ended at page 190, now end at page 286 (1.5 line spacing).  Now need to print out all those crisp, clean pages and return to Chap 9, already in progress:  the first few hours in New Orleans.


14 July 2011

Excerpt: To Re-Imagine America

Copyright © 2011 Bob R Bogle


Whenever he spoke of New Orleans to someone he almost always found himself speaking of San Francisco, too, although Southern hospitality was hardly a blessing bestowed upon San Francisco.  But what the two cities shared was a feeling of otherness, of being elsewhere, as if they had somehow by accident become detached from some other country and, drifting awhile, had by chance attached themselves to the shores of America.  Well, Savannah was like that too, he thought.  All three of those cities, profoundly differing from each other, and possessed of their own peculiar and unique characters, each retaining its own distinctive quality of grace that inevitably brought you out of yourself, that left you feeling, for a little while, that you had inadvertently strayed outside the prescribed commercial confines that bound your countrymen.  You could re-imagine America as a hot circus tent, he thought, full of mirrors and bright, hypnotic lights to draw and captivate your attention.  Yowling, gravel-voiced barkers, the smells of stale popcorn and elephants and straw and dust, the ubiquitous soap salesmen with their swaggering, gimcrack patter and not a thought in their heads beyond separating you from your coins.  But coming into San Francisco, or Savannah, or New Orleans, was like slipping through unseen rips in the canvas and out of that other house of mirrors that was America.


11 July 2011

Civil War Battle of Chickamauga

Civil War Battle of Chickamauga

Chickamauga animated, with good coverage of earlier actions of Grant in the West. Chickamauga is the most difficult Civil War battle I know of.

08 July 2011

Excerpt: Driving in Vicksburg.

Copyright © 2011 Bob R Bogle




How many times had he driven on a street called Union Avenue, he wondered, and never made the connection.
The Vicksburg battlefield opened up around them, a beautiful park, impossibly green.  He had not been prepared for that.  The color was vibrant and rich.  So unlike the delta flatlands.  Traffic along the one-way road was sparse and slow, and he could easily find pullouts when someone came up behind them.  Thick clover carpeted the long, rolling hills, and patches of basket grass, purple top and bushy bluestem, all speckled with tiny yellow and white wildflowers.  Farther back native oaks, elms, walnuts and pecans framed the immaculately groomed fields.  Spanish oak and Japanese magnolia throve along the ridge tops and boundary areas, and denser thickets of woods were set back in the distance.  White blooms of dogwood broke through now and again, and fine kudzu nets towered up over old branches and boughs.  Stands of black-barked walnut trees were accented by sprays of pale lavender-blossomed redbud.
Populating this garden landscape was a seemingly endless collection of marble sculpture, megaliths skirted by flows of marble steps and lonely cenotaphs, towering spires and shining white temples exalted and humble, and mute statues and guns long sundered from their bellicose barking voices, and brass plates sun-burnt and greened with oxygenation, and elaborately detailed embossments and reliefs.  He had not anticipated such a myriad of memorials so far west.  The Gettysburg battlefield must have a similar impact when you were there and saw it in person, he thought, but he had never seen it.  He could think of nothing comparable to the monuments of the Vicksburg battlefield except, perhaps, Washington, DC, but that was different.  He thought of the armies that had met here, the siege and the suffering they had endured, right here where the cool, air-conditioned car was passing, gliding slowly along in this place.  He tried to feel the presence of those men in blue, the long, hot, dusty days, and within the city the slow strangulation, fierce, violent resistance eroding away incrementally, haughty pride giving way to a creeping horror, the belated dawning fear of failure, the possibility that the Southern dream might somehow, incomprehensibly, inconceivably, blow away and with it the whole world.

06 July 2011

History Channel: Civil War's Greatest Myth

History Channel: Meaning of the Civil War

History Channel: Civil War Turning Point

History Channel: The KKK

History Channel: The Failure of Reconstruction

History Channel: Legacy of the Civil War

History Channel: Surrender at Appomattox

History Channel: The Confederate Capital Falls

History Channel: General Sherman's Legacy

History Channel: Last Stand of the Confederacy

History Channel: Sherman Closes in on Savannah

History Channel: Sherman and the Burning of Atlanta

History Channel: General Sherman Captures Atlanta

History Channel: After the Emancipation

History Channel: Grant and Sherman Lead the Union

Copyright © 2011 Bob R Bogle


History Channel: Grant or Lee?

History Channel: Chamberlain at Gettysburg.

History Channel: The Battle of Gettysburg

History Channel: The Battle of Antietam

History Channel: Grant's Road to Success

History Channel: Robert E Lee

History Channel: Civil War Tech

History Channel: Confederate Vs Union Soldiers

History Channel: America and the Civil War

Driving in the Delta.

Copyright © 2011 Bob R Bogle


I spent hours and hours last night and this morning hacking apart, rearranging, and rewriting a sprawling, flowery 3-page paragraph from the first draft, the old chapter 7, concerning a drive through the Mississippi delta, into 3 paragraphs across one page.  It may not be the final product, but it's a good deal better than it was.  Here it is:



He could feel the flatlands out there.  The Mississippi delta.  It didn't look like it now, but this was the downed country, the submerged land that would always dry out again and be reborn as if by magic.  Such notions lay at the heart of Egyptian mythology.  The black Mississippi mud country gave the impression of idle, unchanging timelessness.  The sun and moon swung across these monotonous lands day after day, golden ball, white ball, unchanging.  That was the illusion.
This was not an authentic delta:  no triangular alluvial fan that protruded out into the Gulf of Mexico:  Δ.  They were more than 300 miles from the Gulf coast.  But people here had always spoken of the region as a delta, in precisely the way that sun-baked Nubians had spoken of riverbanks miles and miles inland from the wine-dark Mediterranean as the Nile delta.  This place they called the delta was an antediluvian floodplain, a baklava of sedimentary deposition.  Ancient layers of mud and sand and organic films and deep mineral and nutrient wisdom were intercut with human ambition for wealth, greed, love, blood, vengeance, charity, power, sorrow, faith, despair, all of it here, poverty, abuse, cruelty, torment, murder, laid down in consecutive strata of psychological coercion across the ages, complex as any physical geological formation, impenetrable, cryptic, and deep.  He imagined, if you listened closely enough, you might hear the lilting song of the steady but insistent Mississippi inseparable from lingering echoes of ghostly voices that recalled epic dramas played out along the river banks and in the surrounding fields and croplands.
Charlie was right to emphasize that this country should not be romanticized.  How long this land had howled under the whips and pistols and shotguns of white masters.  This troubled region, so unchallenging to the eye, occupied a mental topography that struggled incessantly to enclose the cycles and oscillations of perennial flood and retreat, flood and retreat, within the bounds of order and control.  Always that bothersome, vexing word control when Americans struggled to wrap their minds around the immense, contorting, serpentine body of the Mississippi River system.  The river could be channelized, its flow could be shaped, it could be pushed back behind locks and levees, but it could never be controlled any more than the desires and dreams of the men living and laboring and loving and dying behind those levees could be controlled.  That was an unnatural human arrogance that could last for a season or two, no more.  Nature eventually brushed those vanities aside.

02 July 2011

Missouri Digital Heritage: Divided Loyalties Audio Tour

Missouri Digital Heritage: Divided Loyalties Audio Tour







Memes and Cathedral Ceilings.

Copyright © 2011 Bob R Bogle

One meme that I absorbed in DC is that the news is a first draft of history.  Of course the associations that a "first draft" has for a writer are not quite the same as for someone who's seldom worked on more serious writing projects than several dozen term papers or their ilk in college.  Walking around Washington I found myself doubting how much one should be concerned with the news when the established history is congruent with the buildings, the architecture, and the artifacts manifest in every direction.  It's the whole story hanging together that we want, not the preliminary observations and doodles in a reporter's notebook.
Memphis Blues Again requires an architecture that is much more internally-consistent than its first draft, the evening news version of the story, provides.  A panoptic, holographic, self-referential context.  I'm out here in a wilderness of words looking for a cathedral ceiling gestalt, and a means to consolidate the subthemes in a manner that provides proper buttressing support.  The first draft is bursting at the seams with ideas that require streamlining and rearrangement into an aesthetically-meaningful framework.  Something graceful and strong.  Right now I'm moving, page by lonely page, through that incipient massive effort of will, madly marking up the text, and generating a list of all the memes it contains in order to devise a strategy for restructuring the whole.  When I wrote that first draft, chapter by chapter, paragraph by paragraph, sentence by sentence, word by word, typing letter by letter, I was working up close with a raw block of stone; now I'm pulling back to embrace the whole, all at once.
Thinking of memes, and regarding them as blocks of stone to build this grander structure:  that's what's going on with Memphis Blues Again right now.